A hard return. Bashing, between honor and survival

Authors

  • María Elena Romero Universidad de Colima. Colima, México

DOI:

https://doi.org/10.35305/prcs.v0i8.76

Keywords:

Japan, Cinema, War, Marginalization, Bullying

Abstract

Cinema spreads ideas, customs and values, it is an expression of other people's realities. At times, controversial for offering issues that question the status quo of society, although, it allows an approach to foreign cultures. In this sense, Japanese cinematography has been characterized by showing a successful environment, a resilient society and with scenarios that mirror a buoyant country. But, there is also another cinema, a controversial one, closer to the real Japan. Herein, through the gaze of Masahiro Kobayashi and his movie Bashing, we review the reality that Japan offers to those who, in their context of ideas and values, do not fulfill their duty and dishonor their group. Bullying, marginalization and humiliation will be a constant in the revised work, offering a different face of Japan, with simple, overwhelming scenarios and people with deep feelings. Thus, we consider that the current Japanese cinema offers the opportunity to look closely at this complex and exciting country

Downloads

Download data is not yet available.

Author Biography

María Elena Romero, Universidad de Colima. Colima, México

Es Doctora en Ciencias Sociales con énfasis en Relaciones Internacionales por la Universidad Nacional Autónoma de México. Desde 1992 es Profesora Investigadora de la Facultad de Ciencias Políticas y Sociales de la Universidad de Colima (UCOL), estado de Colima, México. Su línea de investigación versa sobre temas de cooperación internacional para el desarrollo y Japón, sociedad y política de cooperación.

Published

2019-12-20

How to Cite

Romero, M. E. (2019). A hard return. Bashing, between honor and survival. Perspectivas Revista De Ciencias Sociales, 4(8), 496–505. https://doi.org/10.35305/prcs.v0i8.76